these peoples. In the very outset, at the first meeting，
The beautiful girl shivered with new apprehension, the eyes of Snake le Vasquez glittered with new hope. He faced his steely eyed opponent for an instant only, then with a snarl like that of an angry beast sprang upon him. Benson met the cowardly attack with the flash of a powerful fist, and the outlaw fell to the floor with a hoarse cry of rage and pain. But he was quickly upon his feet again, muttering curses, and again he attacked his grim-faced antagonist. Quick blows rained upon his defenseless face, for the strong, silent man was now fairly aroused. He fought like a demon, perhaps divining that here strong men battled for a good woman's love. The outlaw was proving to be no match for his opponent. Arising from the ground where a mighty blow had sent him, he made a lightning-like effort to recover the knife which Benson had taken from him.
"Have a care!" cried the girl in quick alarm. "That fiend in human form would murder you!"
But Buck Benson's cool eye had seen the treachery in ample time. With a muttered "Curse you, fiend that you are!" he seized the form of the outlaw in a powerful grasp, raised him high aloft as if he had been but a child, and was about to dash him to the ground when a new voice from the doorway froze him to immobility. Statute-like he stood there, holding aloft the now still form of Snake le Vasquez.
The voice from the doorway betrayed deep amazement and the profoundest irritation:
"Merton Gill, what in the sacred name of Time are you meanin' to do with that dummy? For the good land's sake! Have you gone plumb crazy, or what? Put that thing down!"
The newcomer was a portly man of middle age dressed in ill-fitting black. His gray hair grew low upon his brow and he wore a parted beard.
The conqueror of Snake le Vasquez was still frozen, though he had instantly ceased to be Buck Benson, the strong, silent, two-gun man of the open spaces. The irritated voice came again:
"Put that dummy down, you idiot! What you think you're doin', anyway? And say, what you got that other one in here for, when it ought to be out front of the store showin' that new line of gingham house frocks? Put that down and handle it careful! Mebbe you think I got them things down from Chicago just for you to play horse with. Not so! Not so at all! They're to help show off goods, and that's what I want 'em doin' right now. And for Time's sake, what's that revolver lyin' on the floor for? Is it loaded? Say, are you really out of your senses, or ain't you? What's got into you lately? Will you tell me that? Skyhootin' around in here, leavin' the front of the store unpertected for an hour or two, like your time was your own. And don't tell me you only been foolin' in here for three minutes, either, because when I come back from lunch just now there was Mis' Leffingwell up at the notions counter wanting some hooks and eyes, and she tells me she's waited there a good thutty minutes if she's waited one. Nice goin's on, I must say, for a boy drawin' down the money you be! Now you git busy! Take that one with the gingham frock out and stand her in front where she belongs, and then put one them new raincoats on the other and stand him out where he belongs, and then look after a few customers. I declare, sometimes I git clean out of patience with you! Now, for gosh's sake, stir your stumps!"
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